Within the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is naturally upright, his arms defined beneath a plain tee. On stage, ballet dancers can appear as powerful gods, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his demand for princely characters and pas de deux work. With delicate features and piercing eyes, there's a touch of Robert Pattinson about him.
An Apparent Rise to the Top
Now 31, Ball is enjoying the crest of a career that has progressed smoothly. Raised in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved directly into the company and was promoted each year, attaining the highest position of lead dancer in 2018. He has relished taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His upcoming starring role is as himself, in an "Evening With" event aiming to offer behind-the-scenes insights into a dancer's craft. He will guide the audience through a part, showing his mental process during performance. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.
The Mental Struggle and Post-Performance Feelings
What about after a performance, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, quite often I do feel self-conscious later. Following an intense role I'm always thinking: Wow, what must people think?"
Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."
Early Motivations and Creative Inspirations
His tenacity originated in early setbacks. Not doing well in competitions at school made him "driven!" It was fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
The next challenge is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, compositions, and painting.
Intimate Performance and Personal Partnership
He also is interested in presenting dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest supporter."
Regarding Instagram and Bodily Perception
On Instagram, fans can see clips from his dance films and images that showcase a athletic physique. Does he mind that the response can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be seen on various ways.
Ball characterizes his younger self as "desperate for success." Did it met his hopes? "I feel very aware of how life is a separate reality to the dreams you made as a child," he muses. He probably has about ten years of performing left. "I suppose in the future, I want to be a bit more gentle with myself."